RUH Noor Riyadh Shines Light on Saudi Arabia’s 2030 Art StrategyĭXB Permeability and Regional Nodes: Sohrab Hura on Curating Growing Like a Tree at Ishara Art FoundationĪUH Re-viewing Contrasts: Hyphenated Spaces at Warehouse421 TYO BIEN Opens Two Solo Exhibitions in Island Japan and ParcelĬTU/AUH/YYZ Sabrina Zhao: Between Abu Dhabi, Sichuan, and Toronto
Questions Techno-Capitalism on Billboards in London TYO Startbahn, Japan’s Leading Art Blockchain Company, Builds a New Art Infrastructure for the Digital AgeĭXB There Is A You In The Cloud You Can’t Delete: A Review of “Age of You” at Jameel Arts CentreīAH Mihrab: Mysticism, Devotion, and Geo-Identity TYO “Mimicry of Hollows” Opens at The 5th Floor OSA Rintaro Fuse Curates “Silent Category” at Creative Center Osaka HK Startbahn Presents “Made in Japan 3.0: Defining a New Phy-gital Reality”, an NFT Pop-Up at K11 Art MallĭXB Dubai's Postmodern Architecture: Constructing the Future with 3dr ModelsĭXB “After The Beep”: A Review and Some Reflections IST Istanbul’s 5533 Presents Nazlı Khoshkhabar’s “Around and Round”
UAE What’s On in the UAE: Our Top Summer PicksĭXB Art Jameel Joins The World Weather Network in a Groundbreaking Response to Global Climate CrisisĭXB “Geometry is Everywhere”: An Interview and Walking Tour of Order of Magnitude, Jitish Kallat’s Solo Exhibition at Dubai’s Ishara Art FoundationĭXB “We Are Witnessing History”: Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian On Their Retrospective Exhibition at NYU Abu Dhabi Art Gallery HK How Pearl Lam Built Her Gallery Between China and Europe IST Creating an Artist Books Library in Istanbul: Aslı Özdoyuran on BAS Independent Spaces in Istanbul: Sarp Özer on Operating AVTO.
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